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Looking for Things, Searching for Things |
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NME, 10 June 2000 Mmm, plangent. And not a little
mellifluous. Sadcore like your mum used to bake,
Tarentel come from San Francisco and are an
extremely slow and lovely cross between that
town's Red House Painters and the sainted godspeed
you black emperor! Side A, "Looking For Things,"
is 15 minutes long, and Side B, "Searching For
Things," is nearly ten minutes longer, so, if
nothing else, things are proving pretty fucking
elusive round Tarentel's way at the moment.
Still, excellent work all told. |
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Cafebliss, Issue 4, August 2000 ***** |
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Pete Bauman, fakejazz, Issue Subliminable, 15 September 2000 Tarentel have produced a considerable amount of "buzz" lately, and it is for very good reason. Although often lumped into the epic instrumental rock (à la Godspeed) category, I would say that, at least with this release, they have taken a subtler approach than the drama of epic bands they are usually grouped with. The 12" begins with "Looking For Things" which features a simple picked guitar theme accented by a low drum beat. This guitar theme, however, is so perfect in its simplicity that you don't mind hearing it repeated over and over again. This theme slowly builds, accompanied eventually by the distant wail of guitar feedback, and then with a more powerful drum beat that brings the song to a definite climax - but not a screeching wall of sound climax - which then drops out to be once again replaced by the original theme. The reverse side brings us "Searching For Things" which is a little more on the droney side of Tarentel. It begins with a low hum which is soon overcome with another classically beautiful, picked guitar theme accompanied by some steel guitar sounding whines and a steady beat. This eventually disassembles into a drumbeat underscored with a single note. A sort of second movement, which features a very distant and muffled beat over which an occasional sparse guitar work is laid, eventually replaces this. This second movement eventually disintegrates into some otherworldly keyboard swirls. Tarentel, like Godspeed You Black Emperor! and other bands they have been compared to, are masters at slow but steady development. The difference lies, however, is the fact that, with Tarentel, the build up doesn't always end up in a chaotic swirl of loud guitars, but often ends up in nothing but the leftovers of the original composition: a distant sample or a keyboard drone. Tarentel's "gimmick," if it can be called that, is nothing but thoughtfully and beautifully composed songs that leave a lasting impression. Tarentel certainly have earned all of the "buzz" surrounding them, and I anxiously await future releases. rating: 11/12 |
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